Sunday, August 15, 2010

When the going gets tough, go harder.

In order to honor the blog's title, it's time for a swimming post. Late summer is the season for a lot of open water swim races around the world. And for just plain open water swims - where a swimmer with a support boat tackles a body of water by him or herself. No race. The English Channel (brrrr) is one such swim, as is the Catalina Channel (sharks!) in California. These days, the only seems to be a swimmers imagination and wallet.

The Daily News of Open Water Swimming posts daily news (yes, its title is quite appropriate) of the latest of these types of swims by some amazing people. I like visiting the site because of the inspiration it provides. And the videos. Any athletic or creative pursuit requires dogged determination and the ability to give the most when it hurts the most. For example, often when people who have completed the English Channel say some variant of: "Yeah, when I was about an hour from France, the captain of the support boat said I had to pick up the pace or the current would change and I'd never make land." So you've just been swimming for ten hours and someone tells you to swim faster? And you can? Wow. My hat is off to you.

Or maybe swimming freestyle is too boring and you want to do four laps of the San Francisco Bay under the Golden Gate Bridge, one each of butterfly, backstroke, breastroke and freestyle? The Daily News of Open Water Swimming: Butter, Back, Breast And Free In The Open Water:

These are regular people, albeit talented and hardworking regular people. Not freaks. They are doing the possible, not the impossible. I'll think about all that the next time I want to quit. The next time I think that writing three pages is enough for the day or swimming one more lap would just be too hard.

Friday, August 13, 2010

Writing Advice, part 2

The editing process is equal parts joy and pain. That may be true of all writing, and possibly true of life in general, but that's too heady a subject for a Friday afternoon.

Lately, though, I've had help with editing, or at least with a certain facet of it. A voice sounds in my head whenever I am struggling with how to add something I need to a pararaph that seems full. I don't remember where I first read or heard it. So I am paraphrasing, but this is the essence of what the voice tells me:

"You always have to be willing to let a good sentence be murdered by a great sentence."

Isn't that great advice? It is full of action and violence and hope and victory. I love it.

Tuesday, August 10, 2010

Lead Dog

I am fascinated by dogs and Alaska, so when I stumbled across the story of the 1925 Nome Serum Run , I was inspired to start a story:


It’s so cold my paws are frozen. My fur has icicles dangling from it. They clink together as I run. So cold. But I can’t stop. I won’t stop. I am in charge. Once the man gives the command to go, I am totally in control. Until he gives the command to stop. In between, it is me. All me. I can’t think about stopping. I have eight dogs behind me. They need me as much as the man does, if not more.

It smells like death. I can’t investigate. But I want to, and I’m hungry. The ground is so uneven all of a sudden. I can feel the sled twisting. I have to control it. I know the man is helping, leaning and righting the sled. I can’t see him, but I feel him. And I know he is good. We don’t usually go this far or until we are this cold. Something must be wrong. I will go on. I will go until we stop. But I am getting tired. I can’t see as well. The icicles are hurting my eyes. I can close them for a few seconds once we get to the field ahead. Or is that water? I think it is a frozen lake. Yes, it smells like that. I can’t close my eyes there. I must look and smell and feel for good ice and stay close to the shore. If I can tell where the shore is.

Am I pushing her too hard? Sam wondered if he should stop. He was frozen and knew Bear, his precious lead dog and the smallest of the pack, had to be cold and nearly dead from exhaustion. He could tell by the sun’s position low in the sky that they had been going for at least eight hours. His back was killing him. He knew all the dogs wouldn’t survive this cruel marathon. Was it worth it? He couldn’t think like that. This was his job, and he had to finish it. The lake was ahead. It would be good to get out of the forest where the branches hit him in the head, but the lake held its own dangers. He trusted Bear, though, and knew she could get them through this. The rest of the team was quiet and focused. They were too tired to bark, but their passage startled an arctic hare out of hiding. One of the younger dogs, he couldn’t remember his name now, tried to snap at the hare, but was yanked back into line by the forward momentum of the group.

Sunday, August 1, 2010

August's Experiment

Although the last time I took a science class was early in the Reagan era, I’m going to conduct a little scientific experiment.

I can be quite a negative person. Pessimistic. Sardonic. Sometimes even misanthropic. Irony I love so much I would marry it if I didn’t already have such a wonderful husband. I don’t really mind it, it’s who I am, but sometimes the negativity gets out of hand. So, for the month of August I’m going to try and refrain from hating things. It will be hard. I like to hate things. I like to talk about the things I hate with my husband and friends. We hate the same things, usually. It’s a bonding experience.

I want to see how a month with fewer negative thoughts will affect my creativity. Since I’ve finished Scarred But Smarter, I’m going to work on a short story then on a second book called Black Damp. I need to get a lot of work done, so I can no longer allow myself the luxury of rolling around in the toxic soup of hatred, which I do quite like, as I mentioned.

So, in an effort to purge the negative, here is a list of the top ten things I hate and cannot think about until September:

1) August. Yes, the irony is thick enough to cut with a knife. I love irony.
2) My cat Jekyll (see photo of my writing partner a few posts ago), for two reasons. One, she sits on the back of the couch and claws my scalp when I’m watching tv. Two, she plucks my post-it notes off my work and carries them around the house in the middle of the night, squawking as if she wants to go out. When you get up to let her out, she hides. Grrrrr.
3) People who own dogs but don’t know how to take care of them properly. And don’t care.
4) British Petroleum
5) Not living in Santa Cruz, California.
6) Still being a mediocre swimmer after years of work.
7) Rob’s inability to get the facts right in a story he’s telling me – that I’m really interested in.
8) My mother’s cancer doctor. It’s complicated.
9) Drivers who buzz me when I am on my bike. I understand they may be annoyed that I am sharing the road, but will killing me really make them feel better?
10) Poison ivy.

Ah, that felt good. If anyone wants to join me, I’d love to read your list!

Friday, July 30, 2010

Elevator Pitch for Book

Every writer has to have an "elevator speech." Shoot, probably every artist does. Anybody who's selling something, in fact. But distilling 87,000 words into one or two sentences is hard. In an effort to hone my pitch, I'm going to ask you to come on an elevator ride with me while you are juggling coffee and a file folder and your backpack and lunch.

Here's my first effort:


Two children with secrets die in vastly different ways two decades apart. In Scarred but Smarter, reporter Eden Tremay carries the emotional scars of the first while she is drawn into the vortex created by the second.

Tuesday, July 20, 2010

More on Bond, my alter ego....

For some reason, I can't create a clickable link to this website: http://iwl.me/. You can paste a portion of your writing there and see what famous writer the program says you "write like."

This is the piece of writing from Chapter 4 of my novel, Scarred But Smarter, that got me compared to Ian Fleming as noted in my previous post:

(Not sure what I think of the comparison, but it sounds marketable!)

"When I feel guilty and sense trouble, like now, I do chores. I grabbed my basket of dirty clothes and went downstairs to do laundry. The machines are in the back room of the gallery I live above. My apartment occupies the middle floor of old rowhouse which is gorgeous but definitely not made for tall people; I hit my head at least once a week. I have the second floor apartment; the third floor is vacant and had been since I moved in three years ago. It is wonderful not to have to listen to anyone banging around up there. My landlord Kathleen owns the gallery and the building, as well as the one next door where Leo lives. She is a fantastic landlord - quick to call a repairman if something needs fixing, she hasn’t raised the rent in three years, she loves Stella, and I like the art in her gallery. All in all, it is a pretty good living situation. The icing on the cake is that I get to park my 1966 Corvette snug and dry and safe in her garage. Kathleen doesn’t have a car and the garage is too small for any of her artists to use; they usually lugged work around in vans or trucks. The lemon yellow baby is my prized possession, a gift from my mother for my move to D.C. She heard I loved old cars, especially Corvettes. It was a bribe, but I didn’t care. The price she extracted in return was my weekly visit to Dr. Wilma Harper, my therapist. I was willing to pay because I loved that car, and Wilma turned out to be pretty okay too."

Call me Bond, Jane Bond....


I write like
Ian Fleming

I Write Like by Mémoires, Mac journal software. Analyze your writing!